THE PRESS ON SWETA RAVISANKAR
REVIEWS
1. Emotions flitted across Sweta Ravisankar’s face with incredible ease and quickness. She melted with devotion while presenting “Enna Solli” by Ambujam Krishna. Sweta potrayed Dusshadhana’s atrocious arrogance and Draupadi’s helpless agony with authenticity.
The Hindu, Friday Review Section, Aug 28, 2009 (Coimbatore) -- By B.Ramadevi.
2. (Sweta Ravisankar took the role of Arjuna in the Ballet “Sharanagatham Krishna” presented for Pollachi Tamil Isai Sangam on Sat 26th July 2008.)
The Hindu, Friday Review Section, Aug 22, 2008 (Coimbatore)
http://www.hindu.com/fr/2009/08/28/stories/2009082850600300.htm --(see with heading "with incredible ease")
Arjuna’s expression of incredible ecstasy while he saw the Viswaroopa of Krishna conveyed what could not be shown on the stage. -- By B.Ramadevi
3. Dinamani, 22nd June 2008
- The body which can adhere to all movements, the big eyes which can depict navarasas, the legs jumping without missing the strict laya beats made the audience wonder whether she is a boneless creeper. Her fifteen years of hard work was portrayed in each abinaya and movement. She was a colourful peacock in full dance dress,
on the stage. --- By G MEENAKSHI.
4.
The Hindu, Friday Review Section, 1st Feb 2008.
Petite Sweta ravisankar scored both in abhinaya and footwork
- Her slim figure enabled her to twist and turn with ease bringing out the essence of Sringara.
- Delightful was Sweta’s touching rendering of ‘Bhavayami Gopala Balam’ in Yaman Kalyan and Kanta chapu talam. In the Kalinganardanam episode agile body moments as a snake added depth to the scene. - By LALITHASAI
- http://www.hindu.com/fr/2008/02/01/stories/2008020151300400.htm
5.
Eenadu(Telugu daily) 24th Dec 2007 ---- By Shastry
6.
Mulund / Powai Plus – Times of India – 23rd April 2006
- Given her dedication and devotion to dance, this performer is sure to reach the pinnacle of success in her chosen vocation. -- By Sujatha Subraman.
7.
Thane Plus –
Times of India - April 23rd 2003
.
- Pure Nrithya , graceful footwork, beautiful gestures and eye movements showed her proficeiency in the art of dance. She has a good command over Laya and Tal.--- By Asha Mandpe.
8.
Apoorva Raagam, Feb 2003.
- Her ability to cover the entire stage occupies our thought. Jathis, Adavus, abhinaya, sancharibhava and kalaprmanam were of high quality... By Jayalakshmi Sadagopan.
9.
The New Indian Express, Sunday June 16th 2002.
- She brought out the spiritual aspect in a subdued manner . Showed remarkable grip over laya...
By Ganpathi Ramakrishnan
ARTICLES
1. Mulund / Powai Plus – Times of India – 10th Feb 2007 – Bhanu Kumar.
2. Our Town ,April 14th – 20th 2006.
3. Mulund Plus – Times of India – 3rd July 2005 – Bhanu Kumar.
4. Tamil Post – 11th Dec 2004 - Meenalatha.
5. Sangeethanjali, Chennai -- Nov 2004.
6. Mulund Plus- Times of India , 27th April 2002 – Satish Sunderesan.
7. Mulund Plus – Times of India ,Nov 30th 2002 – Bhanu Kumar.
8. Tamil Times, Nov 4th 2001.
